Slamdance Film Festival Announces Feature Film Lineup

The Slamdance Film Festival announced their Narrative and Documentary Feature Film Competition Lineup this week and looks like the festival will continue to be a haven of up-and-coming indie film charm! With 11 Narratives Features, 8 Documentary Features and 8 directorial debuts from female filmmakers, this is the start of a program you’re not going to want to miss! 


Check out the full lineup below and while you’re at it you can head over to Slamdance’s site for more info and to purchase festival passes. The 2017 Slamdance Film Festival takes place in Park City, Utah from January 20 - 26. Stay tuned for more program announcements as they are released! 







Narrative Features: 


Aerotropolis, Taiwan 

Director & Screenwriter: Jheng-Neng LI 

Allen invested everything into a beautiful home to flip for profit only to have it languish on the market, turning his daily life into a haze of financial pressures and an erosion of reality. 


Beat Beat Heart, Germany 

Director & Screenwriter: Luise Brinkmann 

Daydreaming her way out of a broken heart, Kerstin’s denial as well as her days are shaken up with the arrival of her mother, dealing with her own relationship’s demise. 


Cortez, USA 

Director: Cheryl Nichols; Screenwriter(s): Arron Shiver, Cheryl Nichols 

Struggling musician Jesse tracks down his ex Anne in a small town in New Mexico, and is forced to face the decisions of his past as present day consequences set in. 


Dave Made a Maze, USA 

Director: Bill Watterson; Screenwriter(s): Steven Sears, Bill Watterson 

Dave builds a fort in his living room and ends up trapped inside by fantastical pitfalls, booby traps and creatures, leaving his girlfriend Annie to head up the eccentric rescue team to go in after him. 


Dim the Fluorescents, Canada 

Director: Daniel Warth; Screenwriter(s): Miles Barstead, Daniel Warth 

A struggling actress and an aspiring playwright funnel their uninhibited passion into the only paying work they can find: role-playing demonstrations for corporate seminars. 


The Family, China/Australia 

Director & Screenwriter: Shumin Liu 

Liu and Deng are a couple in their 70s who set off to visit their adult children in three faraway cities, in an immersive exploration of family dynamics and daily life. 


Kate Can’t Swim, USA 

Director: Josh Helman; Screenwriter(s): Jennifer Allcott, Josh Helman 

When Kate’s best friend Em returns from abroad with a surprising new lover, they embark on a reunion vacation with their partners, but the peaceful getaway quickly becomes emotionally complicated. 


Kuro, France/UK/Germany/Luxembourg

Director(s) & Screenwriter(s): Joji Koyama, Tujiko Noriko 

A Japanese woman living in Paris tends to her paraplegic lover, passing time by recounting a story about the time they once spent together in Japan, rich with anecdotes, myths and an unexpected dark turn. 


Weather House, Germany 

Director(s): Frauke Havemann; Co-Director: Eric Schefter; Screenwriter: Mark Johnson 

Set in an unspecific time of extreme climate change, an isolated group of disoriented characters develop their own strange belief systems and engage in absurd activities to process their dilemma. 


Wexford Plaza, Canada 

Director & Screenwriter: Joyce Wong 

Betty is a lonely strip mall security guard, and an unexpected moment with charming deadbeat Danny ends up setting off the unraveling of both their lives. 


Withdrawn, Canada 

Director: Adrian Murray; Screenwriter(s): Adrian Murray, Marcus Sullivan, Dean Tardioli 

Living in a basement he can’t afford, Aaron spends his days doing drum solos and talking his way out of paying for utilities, until he finds a lost credit card and devises a plan to defraud its owner. 


Documentary Features: 


Bogalusa Charm, USA 

Director: Stephen Richardson; Screenwriter: Jennifer Harrington 

Through the lens of an anachronistic charm school that has existed for almost three decades in rural Louisiana, we explore a town confronted with contemporary issues of class and race. 


The Children Send Their Regards, Austria 

Director: Patricia Josefine Marchart; Screenwriter(s): Jakob Purkarthofer, Sepp Rothwangl, Patricia Josefine Marchart 

Adult victims of physical abuse by clergy members in Austria revisit the sites of their childhood trauma and make public their stories to shed light into one of the greatest crimes of the post-war period. 


Hotel Coolgardie, Australia 

Director: Pete Gleeson 

Somewhere between Australia’s most isolated city and it's largest gold pit lies Coolgardie, where the arrival every three months of a new pair of foreign female backpackers to work the only bar in town is keenly anticipated by the town’s hot-blooded males. 


The Modern Jungle, Mexico/USA 

Director(s) & Screenwriter(s): Charles Fairbanks, Saul Kak 

A story of globalization filtered through the fever dream of a Mexican shaman, this is an intimate portrait of Zoque culture, commodity fetish, and the predicament of documentary cinema. 


On The Sly: In Search of the Family Stone, USA 

Director & Screenwriter: Michael Rubenstone 

Director and super-fan Michael Rubenstone sets out in search of long-time reclusive funk legend, Sly Stone. Along the way, he meets with some success, but finds countless more failures in trying to capture a man who refuses to be contained. 


Strad Style, USA 

Director: Stefan Avalos 

A rural Ohio eccentric with an obsession for 'Stradivari' convinces a famous European concert violinist that he can make a copy of one of the most famous and valuable violins in the world. Fighting time, poverty, and most of all - himself - Danny Houck puts everything on the line for one shot at glory. 


Supergirl, USA 

Director: Jessie Auritt 

Naomi seems like a typical 11-year-old Orthodox Jewish girl; watching her compete to lift almost three times her bodyweight tells a different story. 


Who is Arthur Chu?, USA 

Director(s) & Screenwriter(s): Scott Drucker, Yu Gu 

Arthur Chu, eleven time Jeopardy! winner turned internet iconoclast, battles dark forces as a blogger and cultural pundit ultimately realizing that to create positive change in the world he must first heal his own wounds.

Contributing Writer: Sarah Bex Rice


Contributing Writer: Sarah Bex Rice

FAVORITE FILMS: Pandora's Box (1929), Pierrot Le Fou (1965), Amadeus (1984), Trainspotting (1996), Girl on the Bridge (1999), The Fall (2006)

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