Masked by the mysterious identities of its directors and a darkly misleading title, going blindly into a film like 'Everyone’s Going to Die' can trigger a confused initial impression. However, British collective duo “Jones” quickly reveal the direction their debut feature will take. From the opening title, where every person that worked on the film is immediately named and given a mass identity, to the surprisingly sweet story that follows, this is a film about raw human connection. Having had its premiere at SXSW, this underrated British indie is finally releasing to U.S. audiences. While the film focuses on the relationship between a young German woman and older English man, the appeal of this film is universal: when you find that rare human connection, it can be the most powerful thing in the world, wherever you are.
'Everyone’s Going to Die' takes on many familiar indie quirks but transforms them into something totally new. In this universe, we follow the aimless wanderings of two strangers as they crash into each other’s messy lives. Melanie (played by German favorite, Nora Tschirner) is an immigrant living in a small coastal town in England with an absent fiancé. Things get interesting when she meets a mysterious, potential hitman named Ray (played by former carpet fitter and brilliant first time actor, Rob Knighton). Ray has just arrived in town following the death of his brother and has a secret “job” to carry out. It’s not until these two meet that they start to question their existence in not only this small town, but in the overall lives they have carved out for themselves.
Sharing similar feelings of not belonging but constantly inspiring each other with conflicting opinions on the nitty-gritty of life, this isn’t a case of two lost souls having everything in common. This is a case of two lost souls having almost nothing in common but still fitting together like a jigsaw puzzle. It’s not about physicality - it’s about conversation. That strange, unidentifiable connection between two strangers is what structures the minimalism within the narrative of this film. And it's that concept, coupled with the constraints of a low budget, that allows this strange, whimsical link between the two leads blossom into something totally beautiful and real.
Indie Street is happy to present the exclusive U.S. VOD release of this modern British “dramedy”. This is an adventure into finding the meaning of comfort and “home”, made up of small moments that are evenly paced with brilliance and wittiness. From dead siblings reincarnated as cats to roller skating beavers, televised porn hotlines, and a morbid family play that cleverly delivers the origins of the film's title, the humor is quirky, understated and complementary to a lo-fi script that focuses on character development over filler. It’s in the very final moments of the film that you may find your hopes for humanity slightly lifted. Yes, one day we will die. Everyone’s going to die eventually. But first, there are many things yet to experience. Memorable duo Melanie and Ray just go to show that life is too short to make the wrong decisions. Give this one a watch - we promise it won't kill you!