2016 was quite the year - one full of turmoil and disappointments. Sadly, 2017 has basically been exactly like last year except x1000000 in craziness. We have to do what we can to find any glimmer of hope possible. This is exactly what filmmaker Sean Wang’s sparkling indie gem “3,000 Miles” offers - a filmic glitter of touching beauty and hope. At only 5 mins, this sweet doc chronicles, via a visual montage of snippets of a city in motion and voicemail audio, Wang’s year living and working abroad in New York City. The story is told through voicemail messages left by his mother, from July 2016 to just recently, checking in on him over the course of a turbulent 12-month period in modern American history. Scenes of the city, reminders of the Trump administration, the feeling of simultaneous opportunity and oppression of being in a foreign country all emotionally seep through a beautiful concoction of words and images. Please take 5 minutes out of your day to experience this moving portrait of time, history, place and family…and hey, why not give your loved ones a ring afterwards!
Having played film festivals worldwide, from Annecy to Edinburgh and Hiroshima to Sundance, Marcel, King of Tervuren has had the kind of festival run you would expect from a filmmaker of Tom Schroeder’s calibre. Blending a flowing animation style with an engaging narrative, Schroeder’s film quickly immerses you into its unexpected world of alcohol, drugs and family feuds. With his camera playfully skittering around the colourful world he has created, Schroeder’s aesthetic playfully places you in the universe of its heroic cockerel. Told mostly through a point-of-view which embeds its audience directly in the farmyard in which Marcel prowls, the animator employs a flurry of bold lines and strong colours to emphasise this hectic period of near-death experiences for our resistant rooster. More Here
Director James Cooper’s Interview with a Time Traveler, as the title would indicate, is indeed a time travel tale. But, unlike the genre tropes that such a lead might presuppose, there are no time jumps and flashy special effects (or nagging plot holes, for that matter). In fact, this film is about as simple a time travel tale that I’ve ever seen—just two guys in a room talking. Read More: http://bit.ly/1spaUeL