2016 was quite the year - one full of turmoil and disappointments. Sadly, 2017 has basically been exactly like last year except x1000000 in craziness. We have to do what we can to find any glimmer of hope possible. This is exactly what filmmaker Sean Wang’s sparkling indie gem “3,000 Miles” offers - a filmic glitter of touching beauty and hope. At only 5 mins, this sweet doc chronicles, via a visual montage of snippets of a city in motion and voicemail audio, Wang’s year living and working abroad in New York City. The story is told through voicemail messages left by his mother, from July 2016 to just recently, checking in on him over the course of a turbulent 12-month period in modern American history. Scenes of the city, reminders of the Trump administration, the feeling of simultaneous opportunity and oppression of being in a foreign country all emotionally seep through a beautiful concoction of words and images. Please take 5 minutes out of your day to experience this moving portrait of time, history, place and family…and hey, why not give your loved ones a ring afterwards!
Absurd and unexpectedly creepy, creative duo Terri Timely’s newest SXSW winner “Dollhouse” is a profile doc that studies real life vs imitated life so well that the end result is something darkly humorous and enjoyable at the same time. Their subject? Artist Kate Charles, a sort of babydoll-maker that specialises in insanely life-like African-American “reborns”. Strangely enough, despite being Caucasian, Charles finds mimicking the skin tones of African-American babies much more suitable to her skill level. Literally cooking faux-baby parts in an oven, both Charles’ deadpan delivery and tender way of recreating lifelike newborns is both strange and unintentionally hilarious. While profile docs have inundated the market as the “new cool thing” so much so that they are already feeling backlash from the industry, this 7 min profile is far from the sell out branded content and one note subjects the genre has seen so much of recently. Winner of the Special Jury Recognition in the Documentary Shorts category at the 2016 SXSW Festival, Terri Timely have proven that a great subject, well paced filmmaking and the inherent emotions of an audience are all you need to make an engaging doc. Fresh off its win at SXSW, “Dollhouse” is now available via The New Yorker’s Screening Room. At only 7 minutes long, this creepy, funny little babydoll film is well worth the watch! Like this film? Why not check out more hilarious (and free!) shorts on Indie Street!