“A man is kidnapped and forced to endure a strange experiment.” Kidnapping? Strange experiment? Sound enticing? Well, I’m sitting here staring at my computer screen, thinking about where to begin on this review of “The Procedure”. Sure, there are thousands upon thousands of adjectives in the dictionary. A thesaurus can also come in handy quite often. And yet, I can’t find that one perfect, all-encompassing word to describe filmmaker Calvin Lee Reeder’s…how can I put it?…insane, genius, disgusting, fascinating, peculiar, hilarious, bizarre, curious and well, extremely polarizing, description-defying short film, “The Procedure”. Winner of this year’s Short Film Jury Award for U.S. Fiction at Sundance Film Festival, this oddball little short exists in a filmic world all its own, employing a kinda genreless plot of proportions beyond epic. An official Indie Street Film Festival selection this past summer, a few “butts” may have gotten up from their seats during the screening. Do I blame them? In some cases, no. But did they miss out? Absolutely. Isn’t that the challenge (and half the fun) of challenging your audience? Make them squirm, laugh, feel disgusted - just make them feel something and have them remember that feeling for some time after the credits roll. That’s what the genius of “The Procedure” offers. ISFF’s own Artistic Director, Jay Webb, described the film as “one of the craziest, funniest, awesomest, sickest, can't stop laughingest films of the year“. If that doesn’t sum it all up, I don’t quite know what will. It’s like that one friend we all have - you can’t take them anywhere but you know, in the end, they will always be the life of the party in their own weird little way. Love to hate, hate to love. We could sit here all day trying to wrap our minds around the on-screen procedure that is featured within “The Procedure”, but you know what? We’ll stop here. Best to go in blindly on this one, guys. Get ready to take your usual film tastes on one heck of a visual adventure. At just under 4 mins long, what could possibly go wrong?! Watch the recent Vimeo Staff Pick Premiere “The Procedure” NOW!
The story of a woman looking to escape her problems at the bottom of a Vodka bottle, Samuel Aaron Bennett’s Baby is a contemplative short that centres around themes of parenthood and responsibility. Premiering earlier this year at SXSW, Bennett’s film cleverly mixes dark-humour with some heavy subject matter to create a film which is as entertaining as it is thought-provoking.
The Paris/Montreal filmmaker collective DentDeCuir is known for some pretty outlandish, creative material. She’s Bad would be right up there at the top with the best of them. The story, special effects, and stylized look of the film, coupled with the electronic sounds of the DyE feat. Egyptian Lover soundtrack, make this film fall within its own unique genre. It’s part music video, part video art, part romantic drama and thriller. Using animalistic imagery, vibes, and movements, we see predator and prey told through the lens of woman meets man. Every action and thought uses special effects to project how closely innate human feelings resemble the actions of animals going off of instinct. It’s like watching a Nat Geo nature show, on drugs, projected onto the skin of these two lustful individuals. There’s really nothing else out there like it.Loads of street creds to Dent De Cuir for being borderline innapropriate, and over the line innovative!
Here's a short documentary portrait on a innovative designer who has created a low cost solution to landmine clearance, captured by director Callum Cooper. Massoud Hassani's Mine Kafon is a wind-propelled sphere made from bamboo and biodegradable plastic that can be used to clear landmines. When designer Massoud Hassani was growing up in Kabul, Afghanistan, there were several wars raging on nearby. He and his brother would play on the deserted fields making their own rolling toys with scarp materials but sometimes the objects would roll dangerously close to the landmines. This intense childhood experience inspired Hassani's design work, and the Mine Kafon is the result. This lifesaving design has been shortlisted as a finalist in for the 2013 INDEX: Award. This short documentary finished in one of the top spots for the GE FOCUS FORWARD Filmmaker Competition.
This beautiful video takes a tender look at one soul’s attempt to bargain with death before finally succumbing. The animated short, by And Maps And Plans, a small Dublin-based studio, has raked in loads of awards and was even shortlisted for the 87th annual Academy Awards. Its title, ‘Coda,’ is fitting for a video about our ultimate end. Take a look!
Dogs of Life explores the line between passivity and consideration. It explores human nature using surreal and subliminal messages. It tells the tale of a retired bounty hunter who goes above and beyond the appropriate call of duty to help his neighbor, who is like a stranger to him.
One of our definitions of Innovation is to create while looking at the world from different perspective. The fun loving, hungry filmmaking team of Jack Tew & Sorcha Anglim have a real knack for story telling from a wonderfully alternative angle.
Filmmaker Shaka King quotes the Urban Dictionary definition of 'mulignan,' (pronounced moo-lin-yan), as "Italian-American slang for a black man. Derived from the Italian dialect word for eggplant." King says the short film "Mulignans" is "a racial experiment, an experiment on you, the viewer." He says his experiment will succeed if he achieves in placing the audience in total discomfort with racial humor in between laughs.
"The Heat" is a short documentary about Heather "The Heat" Hardy, a single mother and professional boxer who was displaced by Hurricane Sandy. Heather uses fighting to provide a living for her and her daughter, Annie, while simultaneously pushing the sport of women's boxing into the mainstream.