"As E.I. units, we are doomed to love." Poignant words from the narrated thoughts of an artificial lifeform. But in "ei: emotional intelligence", filmmaker Dennis Sungmin Kim's first year film at the University of Pennsylvania, we aren't just dealing with the simple concept of artificial intelligence. No, this is about something much deeper than that - going beyond what you would expect from the normal concept of A.I. on film. "ei: emotional intelligence" is a seriously impressive feat that succeeds so beautifully within its uniquely delicate animated style and story. And how does it manage to stand out? By injecting the A.I. concept with something novel yet really, very simple: emotions. Representing far more than robotic and lifeless technology, this animation follows the story of Arthur and his female companion, two E.I. units - AKA Emotional Intelligence units - that try to live and feel beyond the confines of their created existence. Going a step further than their otherworldly IQ's, mathematical way of thinking, and futuristic, virtual landscapes, their story plays out like a love letter to humankind and where we may be headed. And it does so in such a honest way, with words building a world around the colors and lines of sweet, colorfully stylistic animation. Complementing the impressive gadgetries of A.I. are real emotions - the ones that challenge us, make us weak and eventually give us strength. Like a rhythmic poem or a finely crafted classical tune, "ei: emotional intelligence" relaxes its viewers through its narration - covering a wide spectrum of thoughts and feelings along the way. We promise you those feelings will keep echoing long after the last frame. With his pulse on great personal design and unique narrative style, Dennis Sungmin Kim's ten month endeavour turned into a first year film that #1) he should be extremely proud of and #2) you should watch right now! And while you're at it, why not check out more of the best short films on the web!
The film is an ironic tale of creation, with the appropriate tagline: "Marilyn maketh, Marilyn taketh awayth" Mikey Please, director of one of IndieStreet's favorite animated shorts "Eagleman's Stag", has come up with another brilliant piece here. It is a funny thing with life and artistic creation...sometimes others will give appreciation to creative works when the artist least expects it, and typically the appreciation is not for what we intended as artists at all. Is creation stupid, or are the ones who perceive it stupid? Street Creds to Mikey Please and the whole staff at Parabella Studio; keep your wonderful craft and unique style of story telling alive!
We thought this film was one of the most innovative short films we have seen all year. Written and directed by Ben Ockrent & Jake Russell, the film has no dialogue, but that is one of the things that make the storytelling so impressive. It is a beautifully executed, tight journey that the directors bring us on, and the acting by two wonderful actors, specifically Alan Rickman, make this a short film that is surely one from the cream of this years crop.
Check out this short doc commercial from our partner filmmakers Sean Dunne and Cass Greener. Street Creds to Bacardi for making storytelling paramount, and picking a spectacular documentary director to get the job done.
The Christchurch Earthquake left the majority of its population devastated, but for a small group of homeless people, disaster brought about new and luxurious living opportunities - a taste of what it’s like to live like a king.
Director, Zoe McIntosh gives us a brief, but intriguing look at the fragility of wealth, the staying power of natural disaster, and the old saying "one man's trash is another mans treasure." The film is a part of 10, 3-minute documentaries from New Zealand titled Loading Docs. Check them all out, they are all only 3 minutes, and all innovative in their own right! Street Creds to New Zealand filmmakers!
"Russian Roulette" was created by Ben Aston while in pre-production on another film. Even a short film with a cosmic element doesn't have to break the bank if the script is well thought out. Ben calls it a “nice parallel between emptiness of space and the loneliness one can experience when completely surrounded.” Loneliness is feeling that at times can be accentuated by a crowd. Check out Ben's directing website.