We have all probably struck up some questionable friendships in the unlikeliest of situations. In "Lamb", it just so happens that our two protagonists find their spark through a cigarette. Set within a world that feels like a latter day Lolita, this unsettling film follows the indefinable relationship between two struggling individuals that happen to sit on very different ends of the age spectrum. Unhappiness and spontaneity, amongst other things, are the catalysts that drive a 40-something year old man to deem a friendship with an 11 year old girl as acceptable after she innocently asks him for a cigarette in a dare gone awry. Ross Partridge takes the reins as not only director but actor and adapter of this story based on the novel by Bonnie Nadzam. Is this film a simple matter of identifying what could be a wolf in sheep's clothing or is it a much deeper and innocent portrait showcasing the role of destiny in our struggle to find comfort and acceptance in this world?  The premise of "Lamb" is simple on the surface but dark and deeply complicated below the obvious. Having just lost his father and starting to witness the unraveling of his marriage and affair, David Lamb (Partridge) finds himself face to face with a [keyword: very] young girl (Oona Laurance). Her high heels and cool demeanor suggest she is aged beyond her 11 years. From here we witness these two lost souls finding each other in the corner of a desolate parking lot .. and well, you can almost see where this is going tone-wise. A kidnapping joke, or more like role play, will cement the fate of the two and set the wheels of the narrative in motion towards a very unsettling yet necessary and exposed ending. Setting out West to escape the monotony of life, seeking to find something more, some beauty in the world, the two set out for their paradise and a slew of roadblocks to their destiny.  A film that is soaking in symbolism, morals, and immoral scenarios, "Lamb" proves that, though you can try to run away from life, bothersome realities will eventually find you again. It makes us ponder - who or what is the real innocent here - who is the real lamb of the story? For whatever sense of relief or anxiety the film’s ending may give you, what the film sets up is a scenario that makes us question relationships and the role that society has over defining them. Whether an inappropriate but harmless connection, something down right predatory or simply human desperation for comfort, the open road takes these two on a trip that will affect the rest of their lives. "Lamb", though sometimes lost in the dark confusion of its own plot, is a film well worth watching if only to help us in understanding something necessary about human connections and ourselves. 

When a director gets summonsed to court for filming an illegal activity, you know it must be a good documentary (read NY TImes Interview). This film from Lotfy Nathan is centered around "Reckless dirt bike riders that parade through Baltimore’s streets", but "it's important to remember that not every day is a joy ride. 12 O’Clock Boys is also a portrait of a family. Coco is raising Pug and his siblings without their father, in a community that is dangerous for reasons that have nothing to do with bike accidents. - See more at:

When asked at the QandA after the film premeire "What did you want the audience to leave thinking at the end?" Director Cutter Hodierne replied, "I simply wanted them to leave thinking." Well he succeeded, and since well deserved hype is escalating around this Somali Pirate Vice Films produced feature. Expanding on his SunDance winning 2012 short film on the same subject, Cutter captures the real truths of the complex situation in a manner that will keep you on the edge of your seats. He pulled wonderful performances out of the largely Somali cast, and we at IndieStreet hope that the "Captain Phillips" release will prove to be a help not a hinderance for the exposure of this more honest and stylized representation of the conflicts on the African Coast. Click here to see a teaser for the feature, as well as the entire short film from 2012.

Stanislav Petrov. Few people know of him... Yet hundreds of millions of people are alive because of him. Many independent films aspire to tackle macro-society issues and intimate human relationships within the same story, but it typically results in over-exposition or a muddy story with underdeveloped characters. "The Man Who Saved the World" succeeds in touching the audience with an important societal concern, while also developing the connective tissues to make us feel for a raw, flawed human being. For this, we thank the director, Peter Anthony, and attending producers, Mark Romeo & Christian D. Bruun. With only a few minor areas of over emphasis on story elements (we assume simply to give this well crafted film more widespread impact), this Doc/Drama could not come more highly recommended from Indie Street.

Alice Howland (Julianne Moore) is a beautiful, intelligent, respected, accomplished linguistics professor, but she’s also starting to forget things. Nothing big – a name or where she put something. As an academic with an insatiable desire to learn and teach, plus a bustling family who still look to her for advice and guidance, it’s not surprising that Alice might be a little distracted or overwhelmed from time to time. Read more at Film School Rejects