INDIE FILM REVIEWS

So I guess we should listen. IndieStreet loves brilliant human curation of film, and Scorsese is unsurpassed as a cinephile and film historian. His collaboration with The Criterion Collection on World Cinema Project is a merger of masters, and the first volume of classics does not disappoint. Check out the PopMatters Review here. We highly suggest you read more about the restoration mission of Scorsese's Organization, World Cinema foundation. Major Streetcreds!

When a director gets summonsed to court for filming an illegal activity, you know it must be a good documentary (read NY TImes Interview). This film from Lotfy Nathan is centered around "Reckless dirt bike riders that parade through Baltimore’s streets", but "it's important to remember that not every day is a joy ride. 12 O’Clock Boys is also a portrait of a family. Coco is raising Pug and his siblings without their father, in a community that is dangerous for reasons that have nothing to do with bike accidents. - See more at: http://www.filmschoolrejects.com/reviews/12-oclock-boys.php#sthash.rpY2f...

When asked at the QandA after the film premeire "What did you want the audience to leave thinking at the end?" Director Cutter Hodierne replied, "I simply wanted them to leave thinking." Well he succeeded, and since well deserved hype is escalating around this Somali Pirate Vice Films produced feature. Expanding on his SunDance winning 2012 short film on the same subject, Cutter captures the real truths of the complex situation in a manner that will keep you on the edge of your seats. He pulled wonderful performances out of the largely Somali cast, and we at IndieStreet hope that the "Captain Phillips" release will prove to be a help not a hinderance for the exposure of this more honest and stylized representation of the conflicts on the African Coast. Click here to see a teaser for the feature, as well as the entire short film from 2012.

Stanislav Petrov. Few people know of him... Yet hundreds of millions of people are alive because of him. Many independent films aspire to tackle macro-society issues and intimate human relationships within the same story, but it typically results in over-exposition or a muddy story with underdeveloped characters. "The Man Who Saved the World" succeeds in touching the audience with an important societal concern, while also developing the connective tissues to make us feel for a raw, flawed human being. For this, we thank the director, Peter Anthony, and attending producers, Mark Romeo & Christian D. Bruun. With only a few minor areas of over emphasis on story elements (we assume simply to give this well crafted film more widespread impact), this Doc/Drama could not come more highly recommended from Indie Street.

Alice Howland (Julianne Moore) is a beautiful, intelligent, respected, accomplished linguistics professor, but she’s also starting to forget things. Nothing big – a name or where she put something. As an academic with an insatiable desire to learn and teach, plus a bustling family who still look to her for advice and guidance, it’s not surprising that Alice might be a little distracted or overwhelmed from time to time. Read more at Film School Rejects