Following the success of its inaugural year, the Financial Times and OppenheimerFunds recently announced the launch of their second annual Emerging Voices Awards, an initiative to recognize talent within emerging nations. Focused on three categories, including art, fiction and film, winners of the 2016 awards will be accounced in September and will receive prizes ranging from $5,000 to $40,000.The competition is only open to residents or passport holders of emerging-market nations, including Africa, Asia-Pacific, Latin America and the Caribbean.For more information on the global initiative and awards scheme, get onboard and read here.
Jodorowsky thinks that all money should be transformed into poetry. So that is what he is doing with his Kickstarter project for his latest film. Chilean filmmaker Alejandro Jodorowsky, who returned to the spotlight last year with "The Dance of Reality," has turned to Kickstarter to raise $350,000 to fund his latest project, "Poetic Money." No matter how much you pledge, Jodorowsky will exchange it for his brand new "Poetic Money" and send it back to you. Of course, this money can't be spent on any material goods -- only on the poetry of the universe, as the campaign makes clear. Read more
Through archival footage and voiceover interviews, a quartet of 2015 music docs are reevaluating the way viewers understand their respective artists and engage with their celebrated music. n what is shaping up to be a welcoming trend in the biopic documentary genre, "Amy" joins three other music documentaries this year which take a similarly engaging approach to understanding its flawed icons. Completed by Alex Gibney's "Sinatra," Brett Morgen's "Kurt Cobain: Montage of Heck" and Liz Garbus' "What Happened, Miss Simone?," this quartet of music documentaries is forcing viewers to reevaluate the way they understand their respective artists and engage with their celebrated music. Read more
The eighties: A magical time filled with mainstream cinema that championed such off-the-wall ideas as the possibility that skateboarding could help fight crime, that high school-aged kids are worthy of the epic adventure treatment and even that aliens are our friends (or, at the very least, relatable beings that relish the opportunity to chow down on classic junk food). That era might be over, but it hasn't been forgotten, especially at Brooklyn's own BAMcinématek, which is kicking off a massive new screening series -- appropriately called "Indie '80s" -- that seeks to "[spotlight] the independent films of the neglected decade between the golden age of 70's New Hollywood and the indie boom of the 90s." Read more
Chances are, you'll be watching a fireworks display of some sort this holiday weekend. To get the party started before the big show, Indiewire has compiled a list of great fireworks scenes in indie film. See them in all their glory here.
We’re just about midway through 2015, and that means taking stock of the cinematic year so far. In terms of feature films, it’s been a stellar year, with everything from “Inside Out” and “Mad Max: Fury Road” to “The Duke Of Burgundy” and “L’il Quinquin” making it one of the strongest first six months of a moviegoing calendar that we can remember with a plethora of equally excellent movies having cropped up at festivals. But to focus on the fiction arena would be to miss whole swaths of great cinema, because the documentaries of the first half of 2015 have been excellent. Here's Indiewire's top picks for the 2015 so far.
Archiving documentary footage and films may not be a sexy issue, but in this digital age, it's an increasingly critical one. To help call attention to it, the IDA and DOC NYC are hosting a two-day Documentary Preservation Summit, which began March 31 and continues on April 1.
The speakers at the summit include Academy Award winning directors D.A. Pennebaker ("Monterey Pop," "The War Room") and Barbara Kopple ("Harlan County USA," "American Dream"); producer-director Warrington Hudlin, the founder of the Black Filmmaker Foundation; Margaret Bodde, the executive director of The Film Foundation, and Sandra Schulberg, the head of the IndieCollect film documentation and preservation campaign. More HERE