INDIESTREET

IndieStreet believes that 2014 is the year the cracks widen in the film distribution system. These cracks will make room for entrepreneurial artists to take back deserved revenue generated from their own content. In 2014, Filmmakers will begin to eliminate middlemen, customers will support more creative talent directly, and at least one studio will fall due to its lack of preparation for the cooperative artist revolution. By nature, an artist who looks to distribute their work is an individual with an ego. Someone with a unique vision who feels passionately that other humans will be impacted by looking at the world through their lens. This inner confidence is the artist’s, “Creation Ego”, and it’s surely prevalent in Indie filmmakers. This ego is not only healthy in an artist or filmmaker, it is actually necessary to maximize creative potential. If you did not think that your vision as an artist was special or worthy you would not take the necessary risks that make you shine creatively. The creation ego must be preserved and celebrated in the artists of our time, but it should be contained to the process of creation. When looking to distribute, we urge Independent artists to acknowledge this ego, but then temper and separate it when it comes time to distribute your beautiful story to the world. Creation is a time of solitude, distribution needs to be a time for connection and togetherness. This is true now more than ever for the Independent Artist who lives in a dynamic age of social networking. It has always been difficult for artists to find a balance between the creation & distribution ego, always searching to maintain artistic integrity but also maximize number of eyes on the product. In the past, channels were in place that stimulated a competitive (kill or be killed) philosophy between professional independents, but we now have the technological resources and platforms that can maximize audiences without fighting amongst ourselves and without giving up as much control our artistic forefathers. Here are three things to remember when reinventing your “Distribution Ego”. 1.Unique Vision does not mean your audience is only yours. Unless you have invented a whole new form of media, it is likely that people that have consumed other stories or enjoyed other art might also like yours. Consumers of creative products typically don’t pick one creator and stay faithful only to their works. Even the most die-hard David Lynch fans have still at least checked out a Christopher Nolan film, no matter how traditional or mainstream his stories may feel in comparison. Honest acceptance that audiences are overlapping and must be shared between artists (whether you cooperate or not) is your first step to separating your egos. 2.Be proud of your work, enough to put it along side of other talented creators. As an artist you are undoubtedly a fan of other artists out there. Some of them have larger networks than you, some have smaller ones. Regardless they are most likely a fan of talented story tellers as you are. Sending your film to other filmmakers you admire or to a group platform like IndieStreet can start your exploration on what you can do to promote the works of others and what they might be able to do to help get your stories in front of more eyeballs. No matter how you slice it, when you start cooperating with another filmmaker you are creating a sort of brand. There are thousands of sites that are either social networking or film related or both who are grouping and recommending filmmakers based on their audiences. Why not use these social groups of fans to find other filmmakers like you as well. Your film deserves your additional effort to put it along side of other great films, making your film stronger and making it easier for your audience to find similar impactful stories. 3.Staying flexible, supportive, & long term. Group Distribution needs to be a philosophy that is adopted for the long term but declaring a dedication to cooperating does not mean that any filmmaker in a group of Independents would be expected to turn down a great third party deal if presented. Being incredibly flexible is something an artist would never accept during creation, but it can free us during distribution to see that options are not limited to a black and white choice between “studio” or “alone”. Finding other artists in any creative industry to support in a group can open up your distribution and marketing plans to a number of hybrid efforts across communities. At the end of the day most of us want the same thing: For innovative filmmakers to keep making films. For this to happen their films have to reach interested audience members in ways that the creators can have sustainable careers. And everyone in the film community should want at least that for other talented filmmakers. Even if one of your film projects gets picked up by Fox Searchlight with a huge advance, that is no time to abandon your new group mentality. Just because this film was marketable, be honest with yourself. Do you think that all the amazingly beautiful and risk-taking stories buried deep in your mind will all be so marketable? Use your personal success as an opportunity to help your group and brand of storytelling, even if it is in incremental ways. It will further fuel the collective approach and will come back to you in the future for less mainstream products. And other artists in a distribution support group need to check their egos as well if one group member decides to go with a larger company for one film project. Be elated for them, as their success can only be good for your group brand’s awareness and reach. By combining the networks of a multiple artists & staying flexible, the overall support of your personal creation ego will also be an inevitable side effect. More aggregate eyeballs for your work means some of those eyeballs will be in the investment, grant, or fundraising space. As many of you reading this are Indie artists or professionals in the creative world, we urge you to join this resolution and embrace the new distribution ego that can ultimately lead all you wonderfully innovative individuals to preserving your creation egos that make your work so remarkable. IndieStreet 2014 “The year Artists Unite” Jay Webb www.indiestreet.com @indiest_films

2016 was quite the year - one full of turmoil and disappointments. Sadly, 2017 has basically been exactly like last year except x1000000 in craziness. We have to do what we can to find any glimmer of hope possible. This is exactly what filmmaker Sean Wang’s sparkling indie gem “3,000 Miles” offers - a filmic glitter of touching beauty and hope. At only 5 mins, this sweet doc chronicles, via a visual montage of snippets of a city in motion and voicemail audio, Wang’s year living and working abroad in New York City. The story is told through voicemail messages left by his mother, from July 2016 to just recently, checking in on him over the course of a turbulent 12-month period in modern American history. Scenes of the city, reminders of the Trump administration, the feeling of simultaneous opportunity and oppression of being in a foreign country all emotionally seep through a beautiful concoction of words and images. Please take 5 minutes out of your day to experience this moving portrait of time, history, place and family…and hey, why not give your loved ones a ring afterwards! 

The last couple of years have seen an explosion of lyric music videos. They are less expensive and easier to make than regular music videos and they keep fans on the channels of artists rather than give them the opportunity of exploring unofficial sources. So, it has become somewhat of a custom for well known artists to do one or two lyric music video for tracks they are also planning to release. Most of them are quite straight-forward. Some, however, are rather creative. Here are three fresh releases, worthy of your time!        Green Day – Too Dumb To Die  A very beautiful collage style video with a retro look, this promo is an absolute joy to watch. Smart use of typography fusing brilliantly with the simple yet effective animations, all incorporated in MiraRuido's aesthetic. The director is actually called Joseba Elorza and comes from Basque County in Spain. He studied to become a sound technician but his evening hobby of working on collages later prompted him to become an illustrator/animator.  

  Taylor Swift – Look What You Made Me Do Before there was the super expensive video everybody liked to talk about, Taylor released this beautiful ode to Saul Bass a.k.a 'the man who changed graphic design'. Created by ODD and produced by Taylor herself, together with Joseph Kahn, director of her official promo, this lyric video is (we think!) waaay more witty and interesting than the live action one.  

  P!nk – What About Us A more low budget lyric video but with a very special approach to the actual typography. Mimicking handwriting, the words become harder to read in the songs' more emotional and dramatic moments. As a matter of fact, a number of fans have complained that the promo defies the whole idea of a lyric music video whose purpose should be to see the actual words that are being sang. But it is this precise illegibility that makes it stand out - not to mention perfectly fits the song's message (that of a deteriorating relationship). Even more so, it also beautifully compliments the stirring live action video directed by Georgia Hudson.  

 About Maria: "Multimedia in Human Form. Media researcher. Journalist. Filmmaker. PR and Social Media Mind. Cinephille. TV Shows aficionado. Books Lover. Music Video guru and former curator of the 2Pause.com project"

One of Indie Street / Indie Street Film Festival's absolute favorite documentaries from the past year has FINALLY reached the big screen! Winner of the second annual ISFF award for Best Feature Documentary, UNREST has landed at IFC Center in NYC! If you missed the premiere event this past weekend, don't fret! Filmmaker and subject of this poignant and beautiful study on ME/CFS and chronic ilnness, Jennifer Brea, will be in-person for a Q&A after the 7:50 screening this Thursday, September 28! Believe us, you'd be crazy to miss this opportunity! For more information on tickets and screening times, head to IFC Center's website. And be sure to watch the trailer for the film below! 

If you love short films, then you've most definitely heard about Jim Cummings' 2016 ultra-successful Sundance-winning short film THUNDER ROAD. If you haven't, then you've probably been living under a rock and that's no good. First things first, if you've not seen this short film, remove the rock from on top of you, stop everything else you're doing and experience one of the best, most emotional rides provided in a short film....pretty much ever. And if you've seen it - heck, watch it again right now! At Indie Street, we can't get enough of this short - it even won the inaugural Indie Street Film Festival Best Narrative Short Jury Award. A film fit for all the acclaim in the world! So, what could literally be better than this film? Um, probably the potential of A FEATURE LENGTH VERSION OF IT. Yes, you've heard me right. The team behind THUNDER ROAD are at it again and are looking to raise the money to fund one of the best filmic ideas of all time. If you appreciate any level of film, story, innovation, perseverance, creativity, Springsteen, and talent, you've GOT to donate to this cause right now. Over an hour of ace storytelling and camerawork will be gifted to all film lovers around the world. What more could you want?? Head to the THUNDER ROAD Kickstarter NOW and get donatin'!!! 

 About Maria:

We're ending the summer in a quirky breezy way with an arts & crafts style video! LAMAR + NIK go back to the simple yet witty concept that made them famous. Before lyric music videos were even a thing, they made this dazzling piece that featured the song's words made of gigantic cardboards. “Magnolia” was everything we loved about indie, low budget productions...not to mention it was also environmentally friendly given the letters were made from discarded cardboards from grocery stores. For The Shins' new video, they chose another tactic - yet, it's still as ground-breaking and impressive: filmed on a white backdrop, edited, then printed out. “Half A Million” was created with 5,566 stickers, hand cut from 4,868 frames and animated by sticking them down on top of each other at each of the 40+ locations. Great concept and an awesome twist for a video based on a band performance! 

 About Maria: "Multimedia in Human Form. Media researcher. Journalist. Filmmaker. PR and Social Media Mind. Cinephille. TV Shows aficionado. Books Lover. Music Video guru and former curator of the 2Pause.com project"

Hard to believe that the 2nd annual Indie Street Film Festival started almost a month ago already! The good news is that this means only 11 more months until the 2018 edition! While we are already excitedly counting down the days until next year, it doesn’t hurt to start collecting and watching some awesome indie films to bide our time. A good place to start? With some of the best short films of this year’s fest - one's that are already available online! This week we are proud to feature filmmaker Caitlyn Green’s short AUGUST - an experimental mediation on a woman waking from a fever dream, deep in Lousiana’s swampland, where it has been August for 16 years. An audience favorite, AUGUST had a superb run on the festival circuit, including playing at Slamdance Film Festival, and was recently featured on Short of the Week. Kudos to an innovative short that we were proud to program and share with NJ audiences! If you missed out on watching in Red Bank last month, check out the poetic narrative now on Vimeo!  

I've got both good news and bad news. The bad news? If you missed the soon-to-be cult hit DAVE MADE A MAZE on Opening Night of the 2017 Indie Street Film Festival...well, let me just say: BOY, DID YOU MISS OUT! But hey, the good news? The jaw-droppingly innovative indie film that everyone is raving about is NOW AVAILABLE to watch in theaters AND online on VOD! Red Bank audiences absolutely loved this impressive feat of story and cardboard, saying that it was a festival defining film for ISFF....and now is your chance to join the fandom. This is one quirky, crazy, fun and one-of-a-kind film that has something for everyone. Believe me, you don't want to miss this one! Watch the trailer below and then head to the film's official site to check out showtimes and where to watch online!  

Starving for some delicious indie cinema? Well, all you hungry, hungry film lovers…today is your lucky day! Matthew Salleh and Rose Tucker’s Indie Street Film Festival hit BARBECUE launches on NETFLIX globally….TODAY! If you had the fine honor of attending the screening in Red Bank last July, as well as the community cookout held afterwards at Bow Tie Cinema, you’d know that it was definitely one of the most “appetizing” highlights of this year’s second edition fest! If you missed out, well, no fear! Take those rumbling bellies and head to Netflix to treat yourself to one tasty, culturally eye-opening documentary. The award-winning film premiered at SXSW 2017, was a crowd favorite at ISFF and is set to take the online foodie community by storm with its VOD release. Giving its audience a journey around the world through the eyes of cooking and barbecue, Salleh and Tucker show us so beautifully that food can bring the world together, in an almost religious way! It's exactly what we need right now. Join the cinematically delicious cult movement - don't delay! For more info, head to the film’s website or check out the filmmakers’ latest interview with Australian media. Oh and watch NOW

The past week was a whirlwind of creative energy, community-boosting moments, innovative films and overall, a seriously cool culmination of indie spirit in Red Bank, NJ at the second annual Indie Street Film Festival! It’s hard to believe that another year has come and gone! And after an inspiring 5 days, the team behind Indie Street Film Festival was beyond honored to announce this year's award winners! "Like Me", directed by Robert Mockler, was named the best narrative feature and "Unrest", directed by Jennifer Brea, took the top prize for best documentary feature as we concluded five days of film screenings plus a wide array of special events and entertainment in Red Bank, New Jersey. Short film winners included Best Narrative Short – "Hold On", directed by Christine Turner and Best Documentary Short – "Little Potato", directed by Wes Hurley and Nathan M. Miller. Best Animation Film was awarded to "Pussy", directed by Renata Gasiorowski. The jury, including noted film critics, producers and filmmakers Alison Willmore (Buzzfeed), Dominic Davis (Rooftop Films), Heidi Reinberg (Producer), Leah Sapin (Human Rights Watch), Meredith Alloway (Writer), William Cusick (Filmmaker/Programmer), James Belfer (CEO, Cartuna), James Siewert (Award-Winning Director/Animator) and Ben Wiessner (Producer, Ornana Films), also presented Special Jury Awards for Best Editing to "Fish Story", directed by Charlie Lyne and Best Comedic Vision to "Business", directed by Kati Skelton. Red Bank artist and resident Gerda Liebmann earned an Audience Choice award for Best New Jersey Film for her first documentary, "You will be Persecuted". Audience Favorites included Best Narrative Short – "Resolutions", directed by Tamara Fisch and Best Narrative Feature – "Life Hack", directed by Sloan Copeland. Among the many discussions presented, notable panels included Adaptation, which included festival Advisory Board Member and noted Actor/Producer Arian Moayed (Rock the Kasbah) and Oscar-winner Mara Kassin, and Meet the Programmers, featuring Larisa Apan (Hamptons Film Festival) and Opal Hope Bennett (Nantucket Film Festival, Doc NYC). A community mural project at Kitch Organic, an appearance by special surprise guest Actor Amir Arison (The Blacklist), a community barbecue, provided by JBJ Soul Kitchen following the screening of "Barbecue", a documentary directed by Matthew Salleh, and the world premiere of "Brothers", the latest work from New Jersey filmmaker Jack Ballo, about two brothers who lived off the grid for four years in the woods of Sayreville, NJ filmed using only the camera in Ballo’s iPhone, were also festival highlights. “The films we’ve shared made us laugh, cry and hungry,” noted Jim Scavone, Executive Director of Red Bank RiverCenter, and the festival’s Managing Director. The films were screened and the special events held at multiple theatrical venues in Red Bank, including the historic Count Basie Theatre, the Two River Theater, Bow Tie Cinema and Red Bank Middle School. Winners from each feature film category will enjoy a shared 1-week theatrical release in NYC. At the awards presentation, Indie Street Film Festival’s Artistic Director Jay Webb confirmed the event would return to Red Bank in 2018 and planned a long-term commitment and partnership with sponsors and the local arts and business communities. Webb also posed a rhetorical question, asking attendees why support for independent artists and filmmakers was important. "In a world of digital content overload that demands more curation and leaves us less physically connected, gathering people in the community around film screenings and the arts is something our whole team believes is of critical importance,” Webb concluded. “Audiences in a theater or at a live art event in the presence of the creators will feel the shared emotional vibrations of the exhibition and truly become a part of the story.  Offering locals, especially young people, these types of shared creative experiences can help them learn to accept human differences and not be afraid of them.” For more information about the screening of films from the festival, or how to connect with Indie Street Film Festival organizers, artists and filmmakers, visit www.indiestreetfilmfestival.org or follow us on social media!

Oh man! We're less than 2 weeks out from the second annual Indie Street Film Festival! What could be more exciting?! We know: more killer indie news surrounding the fest! ISFF has just announced their special screening slate for this year and if you're an indie film lover, dance enthusiast, or just a Michael Caine fan, you're gonna love this pretty sweet lineup. The New Jersey premiere of the 2017 Slamdance fav "Dave Made a Maze", a breakout film directed by artist/writer Bill Watterson, will open the 2nd Annual Indie Street Film Festival on Wednesday, July 26. Valérie Müller and Angelin Preljocaj’s "Polina", featuring Academy Award-winner Juliette Binoche will be the closing film on Sunday, July 30. The NY/NJ premiere of "Coup D’Etat", directed by Lisa Addario/Joe Syracuse and starring Academy Award and Golden Globe Award-winner Michael Caine and Katie Holmes, and "Person to Person", written and directed by Dustin Guy Defa and starring Michael Cera, Abbi Jacobson and Philip Baker Hall, will also screen at the fest set for July 26th through the 30th in Red Bank, NJ. “From a live art performance by local artist Ronnie Jackson, who carves New Jersey landscapes and scenes into surfboards, a cookout after the screening of the documentary Barbecue with local sponsors, to a Liquid Lights creative workshop, we know festival attendees will enjoy what ISFF brings to the community,” noted ISFF artistic director Jay Webb. “What sets this festival apart from other film events is the integration and cooperation of Red Bank’s venues, restaurants and bars, retail shops and the local arts community which all gel to make the ideal atmosphere to celebrate the creativity of independent filmmakers.” "Dave Made a Maze", featuring Nick Thune as Dave and Meera Rohit Kumbhani as his girlfriend, Annie, is the story of an underachieving artist who builds a fort in his living room only to wind up trapped by fantastical pitfalls, booby traps and critters of his own creation. Ignoring his warnings, Annie leads a band of oddball explorers on a rescue mission. Once inside, they find themselves trapped in an ever-changing supernatural world, threatened by booby traps and pursued by a bloodthirsty Minotaur. In "Polina", a promising classical ballet dancer about to join the prestigious Bolshoi Ballet discovers contemporary dance, a revelation that throws everything into question on a profound level. "Coup D’Etat" is the story of a sixteen-year-old American girl who develops a pen pal relationship with Anton Vincent (Michael Caine), an island nation dictator, who unexpectedly seeks refuge in her suburban garage when he is deposed by his own people. "Person to Person" follows a variety of New York characters as they navigate personal relationships and unexpected problems over the course of one day.The festival will present more than 60 independently produced narrative, documentary and animated films, panel discussions, Q&A’s with filmmakers, live art, an interactive community mural project, a community cookout, and both live and DJ music performances. For a complete schedule and to purchase tickets/passes, please visit www.indiestreetfilmfestival.org!

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